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Su Hui-Yu presents new work in The Cinema of Séance, his first solo-exhibition in The Netherlands. The work of Su walks a line between history and memory, on a collective, universal level and on a personal, individual level — how does a national past relate to the collective memories of the people in it? Recalling a cult genre of 1980s Taiwanesecinema, the works place the socio-political strife of that era in Taiwan squarely in the present, addressing not only memory, but also a re-imagination of taboos and cultural values from the past and the present.