NGO DEI

The exhibition takes its title from the scientific idea that intelligent civilizations may reach a critical threshold they fail to survive. Mammes uses this concept as a lens through which to consider humanity’s position at a time of accelerating technological power, ecological instability, and renewed global conflict.

Through intricate figurative compositions structured through rhythm, symmetry, and repeating forms, Mammes constructs layered visual worlds where children, animals, machines, and natural systems interact in fragile equilibrium. The works function like visual compositions: patterns build rhythm and harmony while revealing the delicate systems that sustain life and the pressures placed upon them.
Presented in The Hague, a city closely associated with diplomacy, international law, and the prevention of conflict, the exhibition resonates with urgent contemporary questions about survival, responsibility, and the forces humanity has set in motion. Rather than offering answers, The Great Filter invites viewers to reflect on whether our species can navigate the thresholds it has created.